LA NAZIONE (2 April 2002)
“…despite the crudity of the subject, also this work is not poor of poetic moments..”
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In the crowd map of choreography in Tuscany, the territory of Siena is strongly expressing a productive activity unimaginable shortly ago. Thanks to whom, as the sisters Simona and Rosanna Cieri of the MOTUS company,work with passion since many years to impose an idea of dance that exceeds the ancient and reassuring boundaries of entertainment […] with stubborn engagement, determination and devotion they show that dance is a “traumatic” art able to investigate and also to interpret strong and sometimes difficult problems, because difficult it is life. With a clear and articulated choreographic dictionary, fed of classical language blended with contemporary influences, MOTUS declines an uncomfortable and “skinned” human comedy. It is said: art must be uncomfortable. These senesis authors seem to show us that, from now on, also in dance, it cannot be different.
Silvia Poletti
IL TIRRENO (15 March 2002)
“…the Motus company dances the female condition without hypocrisy, they talk about the difficulties of being woman in the male chauvinist societies succeeding with naturalness on passing by a performance to another one, by an image to another one… Motus represents, through the use of the body language, of the rhythm and of the voice, […]
Read MoreIL CAMPO (10 February 2001)
“…… WONDERFUL THE APHRODITE……… the show is inserted into the original line of thought that characterizes this company…as Aphrodite is the splendid Simona Cieri, endowed with an expressive intensity and a admirable plasticity, a really successful evocative of velvet atmospheres………… everything is a completion of the choreography bySimona Cieri, where the pure lines of the […]
Read MoreIL MESSAGGERO (January 2001)
“TONIGHT THE MOTUS DANCE COMPANY PRESENTS “AFRODITE IMPRIGIONATA”…Aphrodite…is the world soul, the woman who governs the sensible world …she is the beauty that creates wonder and the place where everything smiles…”
Read MoreLA NAZIONE (7 December 1999)
“……… We are asking ourselves if there is something more to say and to do in the field of contemporary dance: MIXMOTUS tries to do it, showing that dance is not only the abstraction of the real life but it can express the individual inner ”motions” that explode with energy independently from the compression that […]
Read MoreIL MANIFESTO (12 December 1998)
“………… dirty cloths all over the places and in all sorts of ways, cheaply tears and smiles that pour with inexorable violence from television and from newspapers. Looking at the spread of that phenomenon MOTUS gives a message of silence and privacy, using a multiple and subversive language that cites Mirò and Magritte and the […]
Read MoreLA NAZIONE (June 1998)
“MOTUS, THE COMPANY OF DANCE-THEATRE from SIENA,has the ownership to bring the name of Italian dance in the famous “ARTEUROPA FESTIVAL” which takes place evry year in TODI during the month of JUNE………so it will be a message of polite silence and privacy which Motus will announce from the open window over the European culture………using […]
Read MoreIL TIRRENO (4 June 1998)
It is the Motus turn to present the name of the Italian dance in one of the most important events in the production of festivals in Europe……the prestigious review in Umbria, that traditionally proposes cultured music of international level, for the edition ‘98 decided to open to other artistic forms, hosting for the first time […]
Read MoreLA NAZIONE (12 September 1996)
“…the ingredients are truly essential: voices played with precision, folklore dances recognized… but all of that it will be too oversimplifying… Pulcinella is also memory, in the poetic scripts by Rosanna Cieri … There is the mask in its possible starting travel. The mask that becomes a relationship with oneself, with the masks built up […]
Read MoreIL TIRRENO (10 September 1995)
“…………all the underlying theme of the narration is articulated through the unusual approach of tango with life… this is the interesting proposal…”
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