LA NAZIONE (12 September 1996)

“…the ingredients are truly essential: voices played  with precision, folklore dances recognized… but all of that it will be too oversimplifying… Pulcinella is also memory, in the poetic scripts by Rosanna Cieri … There is the mask in its possible starting travel. The mask that becomes a relationship with oneself, with the masks built up by others or by ourselves… it glimpses an initiation research towards the inner life, filtered by the mask symbolism. The show becomes itself when it cuts loose by the recalls of adhesion with Pulcinella, at that point it is the dance and not the pretext, that makes the scene. The physicalness and the interlacement of the bodies, the breaths, the sweats, the fine music, the pauses, the times, the choreographic positions, the expressive research … A beautiful work…”

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