Every choreography is an exploration of the identity of the human affliction, where physical explosiveness is compressed in the introspective intimism; the pas de deux are examples of agility reduced to delimited space by the spot light, the group takes care of the equilibrium of the stage space with symmetry and sense of the perspectives, sended in projection on the screen. … the effect of reentry in the screen, in the episode dedicated to the Balkan people, reaches the perfection… The group convinces for completeness of the physical execution and sensitivity of the emotional interpretation, the subjective perspective of the oblique run, created at the end of the show by the choreographer Simona Cieri, appears intense and without breath, dragging the perception of the spectator in the same dimension of worry engraved by the dancer.
… a refined project that never results slow to follow.