…………The Motus, that this year celebrate theirs twenty-year, proposed ‘Rendez-vous’. It deals with an ironic show, elegant and of extreme formal cleaning, that faces the theme of the impossible communication at the times of internet with the language of the dance theatre. The opening scenes are not of simple reading: a necessity is warned from the six dancers to join inserting their own bodies looking for a hazardous balance. The apparition of a new subject (Simona Cieri, choreographer and director with Rosanna Cieri) and above all of the object (a laptop) that the woman brings with her, it clarifies the dynamic run: the dancers return to their own loneliness and their own manias, the ticking of the keys and the light that radiates from the computer are in opposition to the choreographies, now sinuous now energetic, that are produced without solution of continuity from the care for the small gesture to the broad picture and load of tones. The appointment to the dark becomes the heart of the performance and the vain research of the other finishes on a carpet of flowers, image that remember’Nelken’, work of the mother of the dance theatre Pina Bausch. The human interaction becomes an adventure of bodies and missed departures, esier and more satisfying is to look ourselves in the trusted monitor…………..