I vicini di casa (The neighbours) is a travel story.

(Slaves)

The new global economy has generated a monster: the slavery from debt.
A perverse mixture of economy, culture and violence dominates the mechanisms of the new human abuse. Once banished as crimes the criteria of race and religion, that in the past allowed a part of humanity to enslave, the modern society, based on profit, lets the poverty to regulate the right to subjugate. To satisfy the needs of the rich, million lives are stolen from the more weak persons. If we could assemble this host of exploited, we could observe, with a shudder, that above all they are children.

THE GIFT OF TIME
              “These things are a gift of time. For this reason, instead of being afraid of it, we would need to venerate it. It is not an enemy of our most beautiful joys, and every day it can reserve us a surprise. Maybe, one morning, time will give back us, even increased, the thousand freedoms that we lost with the childhood.”  (Angeles Mastretta: Puerto Libre)
             
              In a society that gets older, a theatre work dedicated to no more young people , where the old age is seen as a moment of return to the freedom of childhood. An ironic and amusing work, that  does not forget the analysis of the social aspects bound to the removal from the productive cycle, to the solitude, to the illness.
             

IF IT IS FEMALE, KILL HER
Million women in the world are living in subordination conditions.
A universe of people who is suffering for the crueler discrimination, just because they belong to the female gender.

IMPRISONED APHRODITE
                            
In 2000, the Jubilee year, the MOTUS are asking themselves about the meaning of soul. Soul is considered like a door between the inner world and the external one,  link between the individual consciousness and the collective one, between rationality and nature.

MIXMOTUS is born as a summary of the “MOTUS thought”, by the need, that is, to resume in only one show the subjects treated in the previous productions.

KEEP SILENT IF YOU CAN
Impudence dominates contemporary society making even the most private feelings  public.

 WHY DON’T WE INVITE PAOLO CONTE?
                                                
The show deal with the subject, already debated, of the artistic creation and the relationships with the market, but it has the fresh tone of something truly experienced.

                                             
Pulcinella is not a mask.
It is the mask.

                                                       
Tango as a metaphor of life.